Author
Elaiza O. Ritas*
Capiz State University – Main Campus, Roxas City, Capiz, Philippines
Abstract
Music plays a crucial role in boosting students’ creativity, cultural understanding, and emotional expression. However, despite its value, many Filipino students struggle to grasp key music concepts due to limited resources, low motivation, and the often abstract qualities of various musical elements. This study aimed to develop a Strategic Intervention Material (SIM) in teaching Music and evaluate its validity by educators and learners. A developmental-descriptive research design was used in this study. The primary participants were 2 pedagogical experts, 5 Music teachers and 30 Grade 10 students who were purposively selected. The data collected from the teacher validation checklists and student validity questionnaires were methodically organized, evaluated, and analyzed to assess the quality and acceptability of the created Strategic Intervention Material (SIM). The researcher found that the least mastered competencies in music are: (1) describe distinctive musical elements of given pieces in 20th-century styles and (2) relates 20th century music to its historical and cultural background. This Strategic Intervention Material (SIM) is a thoughtfully designed learning tool aimed at helping Grade 10 students recognize the unique musical characteristics of 20th-century styles and connect those styles to their historical and cultural contexts. Using a set of interactive cards, it encourages students to delve into various musical genres, from Impressionism to Chance music, while highlighting how major global events like wars and technological advancements have influenced musical expression. The material blends essential concepts with engaging listening exercises and creative projects, ensuring that students develop a strong understanding of the necessary skills and knowledge. Moreover, the result revealed that the level of validation of the developed SIM in general and in terms of content quality, instructional design, and usability and presentation is perfectly validated. MAPEH teachers are encouraged to incorporate the Strategic Intervention Material (SIM) into their curriculum for 20th-century music modules, as it effectively supports students with weaker skills in analyzing musical elements and understanding historical contexts. Students may use the SIM for self-paced learning, allowing them to build confidence and knowledge independently. School administrators may adopt and distribute this resource, while future researchers may explore its effectiveness and potential adaptations for different grade levels or digital formats.
Keywords: Strategic Intervention Material, Content Quality, Instructional Design, Usability and Presentation, Music.
*Corresponding author / Email: ritaselaiza@gmail.com
DOI: http://doi.org/10.69651/PIJHSS05021082
Recommended citation:
Ritas, E. O. (2026). Development and validation of strategic intervention material (SIM) in teaching Music. Pantao (The International Journal of the Humanities and Social Sciences) 5 (2), 3098-3116. http://doi.org/10.69651/PIJHSS05021082
Read the full text
References
Abrahams, F. (2016). The practice of popular music education: Identities, communities, and histories. Routledge.
Alim, H. S., Paris, D., & Wong, C. P. (2020). Culturally sustaining pedagogy: A critical guide. Teachers College Press.
Allsup, R. E. (2016). Remixing the classroom: Toward an open philosophy of music education. Indiana University Press.
Barredo, K. B. (2016). Development and validation of strategic intervention materials (SIM) for least mastered competencies. Department of Education, Division of Schools.
Barrett, M. S., & Bond, V. L. (2023). Culturally sustaining music education: Perspectives and practices. International Journal of Music Education, 41(2), 188–202.
Bond, V. L. (2017). Culturally responsive education in music education: A review of selected literature. Contributions to Music Education, 42, 153–173.
Buleshkaj, O., & Koren, A. (2022). User experience (UX) and digital interfaces in specialized music education: A case study of individualized learning. Journal of Educational Technology Systems, 51(1), 45–62.
Burnard, P., & Colucci-Gray, L. (2024). Posthumanism and the future of arts education: Engaging with technology and nature. Palgrave Macmillan.
Dacumos, L. P. (2016). Perspective and efficacy of strategic intervention materials (SIM) in improving student performance. Journal of Education and E-Learning Research, 3(1), 16–28.
Folkestad, G. (2017). Informal learning in formal settings: Music education and the digital age. Oxford University Press.
Hatfield, J. L., & Lemyre, P.-N. (2016). Foundations of intervention research in instrumental practice. Frontiers in Psychology, 6.
He Jiang. (2026). The human-machine entanglement: Post-humanist pedagogy in children’s musical creative practices. Journal of Music, Technology & Education, 18(1), 12–29.
Hess, J. (2019a). Music education for social change: Constructing an activist music education. Routledge.
Hess, J. (2019b). Moving beyond the colonial: Cultural responsive pedagogy and the ethics of inclusion. Philosophy of Music Education Review, 27(1), 22–41.
International Journal of Software Engineering and Its Applications. (2023). Online platforms and the accessibility of music education in remote areas. IJSEIA, 17(4), 112–125.
Iukhno, N. (2019). Information-digital competence of future music teachers in the context of higher education digital transformation. Journal of Education and Information Technologies, 24(6), 3345–3360.
Jiang, Y. (2024). Multimodal and multimedia integration in digital audio workstation (DAW) pedagogy. Music Education Research, 26(3), 201–218.
Kallio, A. A. (2023). Difference and division in music education. Routledge.
Kladder, J. (2017). Teacher education and popular music: A review of literature. Oxford University Press.
Koopman, C. (2022). Ethical issues in music education. Oxford University Press.
Lee, C. K. (2023). Pluriversal music education: De-centering northern epistemologies. Global Journal of Arts Education, 13(2), 89–104.
Li, X., Wang, Q., & Zhang, L. (2025). The impact of self-paced intervention materials on student musical agency and self-efficacy. Journal of Research in Music Education, 72(4), 415–433.
Lind, V. R., & McKoy, C. L. (2016). Culturally responsive teaching in music education: From theory to practice. Routledge.
Marsh, K. (2024). Music, forced migration, and trauma: Perspectives for trauma-informed music pedagogy. Oxford Handbook of Music Education, Vol. 3.
McPhail, G. (2025). Powerful knowledge in music education. Routledge.
Ng, W. (2020). Informal music learning and the digital continuum: A study of student-led collaboration. Music Education Quarterly, 15(1), 10–25.
Nora, A. (2025). Social ecology and the ensemble: The impact of group dynamics on musical proficiency. Social Psychology of Music, 31(2), 156–174.
Oliveira, J., Silva, M., & Santos, R. (2021). Musical self-esteem and identity formation: A multidimensional construct. Psychology of Music, 49(3), 512–528.
Palkki, J. (2023). LGBTQ+ inclusion in the music classroom: Policies and practices. Music Educators Journal, 109(2), 34–41.
Partti, H. (2024). Digitality and the future of music education. Springer Nature.
Philpott, C., & Spruce, G. (2023). Debates in music education. Routledge.
Pulman, M. (2024). Popular music education and the ethics of authenticity. Popular Music, 43(1), 55–72.
ResearchGate. (2025). AI-driven feedback loops in pitch and rhythm training. Educational Technology Review, 2025, 202–215.
Sandgren, M. (2019). The role of music in self-esteem and mental health: A longitudinal study. Frontiers in Psychology, 10, 1241.
Savage, J. (2024). The music teacher’s handbook. Routledge.
Schmidt, P. (2024). Policy as practice: A guide for music educators. Oxford University Press.
Shadiev, R., & Wang, X. (2022). A review of research on technology-supported language learning and 21st century skills. Frontiers in Psychology, 13.
Shone, E. T., Weldemeskel, F. M., & Worku, B. N. (2023). Strategies of enhancing students’ mathematics perception and self-efficacy to improve their mathematics achievement. Cogent Education, 10(1).
Silverman, M., & Elliott, D. J. (2022). Artistic citizenship: Neoliberalism and the social utility of music. Oxford University Press.
Smith, G. D. (2023). The Routledge world companion to popular music education. Routledge.
Sun, J. (2022). Exploring the impact of music education on the psychological and academic outcomes of students: Mediating role of self-efficacy and self-esteem. Frontiers in Psychology, 13.
Tandfonline. (2025). Shared music vocabulary (SMV) as a bridge for inclusive traditions. Critical Studies in Music Education, 12(2), 44–59.
Terrell, L. (2024). Decolonizing the conservatory: Cultural transmitters in the BIPOC community. Ethnic Musicology Review, 29(1), 102–118.
Thibeault, M. D. (2023). Recording as a primary creative act: The phonographic paradigm in schools. Music Education Research, 25(4), 488–501.
van As, A. J., & Excell, L. (2018). Strengthening early childhood teacher education towards a play-based pedagogical approach. South African Journal of Childhood Education, 8(1).
Váradi, J. (2022). The role of music education in the 21st century: A holistic and multimodal perspective. Educational Sciences, 12(11), 780.
Waldron, J. (2024). Oxford handbook of social media and music education. Oxford University Press.
Westerlund, H., & Gaunt, H. (2024). Expanding professionalism in music and higher education. Routledge.
Wright, R. (2023). Sociology and music education. Ashgate Publishing.
Zhukov, K. (2024). Instrumental music teaching: A guide to the 21st-century studio. Routledge.